In a Railway Carriage (After a Night's Journey)

Description

This is a remarkable example of an early work from a pioneering proponent of Realism. Menzel revealed the unglamorous aspect of bourgeois train travel in many compelling details: a man asleep in a contorted position, a wistful woman gazing out at early morning light, the detritus of their journey around them. Menzel began to use opaque watercolor (gouache) in 1850, combining it with pastel (and oil) as seen here.

Provenance

Wilhelm Itzinger, Berlin, by 1898 [Boetticher]. Galerie Heinemann, Munich, from Dec. 15, 1903; sold to Hofrat Hanfstaengl, Munich, Jan. 7, 1904 [Heinemann stockbook]. Dr. Martin Söhle, Hamburg, by 1905 [Tschudi]; sold, E. A. Fleischmann’s, Munich, Oct. 30, 1907, lot 100. Alfred Sommerguth (1859-1950), Berlin; his forced sale: Hans W. Lange, Berlin, Feb. 7, 1939, lot 21. Private Collection, Germany; sold in cooperation with the heirs of Alfred Sommerguth, Sotheby’s, New York, May 5, 2011, lot 37, to Colnaghi, London; sold by Katrin Bellinger, Munich, to the Art Institute of Chicago, 2012.

In a Railway Carriage (After a Night's Journey)

Adolph Friedrich Erdmann von Menzel

1851

Accession Number

215327

Medium

Gouache, with touches of pastel and oil paint, on cream wove paper, laid down on Japanese paper

Dimensions

27.3 × 33 cm (10 3/4 × 13 in.)

Classification

gouache

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Regenstein Acquisition Fund