Provenance
The artist; (his estate sale, American Art Galleries, New York, 24 March 1898, no. 75); J.B. Mabon, New York. (Davis Galleries, New York); sold 1962 to Rita and Daniel Fraad, New York; gift (partial and promised) 1990 to NGA.
Accession Number
1990.70.1
Medium
oil on canvas
Dimensions
overall: 30.6 x 40.2 cm (12 1/16 x 15 13/16 in.) | framed: 47.9 x 63.5 x 4.4 cm (18 7/8 x 25 x 1 3/4 in.)
Classification
Painting
Credit Line
Gift of Mrs. Daniel Fraad in memory of her husband and in Honorof the 50th Anniversary of the National Gallery of Art
Tags
Painting Impressionist & Modern (1851–1900) Oil Painting Canvas American
Background & Context
Background Story
Theodore Robinson (1852-1896) was an American painter known as the most important American Impressionist and the first American artist to fully absorb the Impressionist method working alongside Monet at Giverny. Drawbridge - Long Branch R. R. from 1894 depicts a railroad drawbridge in the Impressionist manner that Robinson developed from his study with Monet at Giverny, combining the Impressionist handling of light and color with American subject matter. The 1894 date places this in Robinson's final years, when he had returned from Giverny and was applying the Impressionist method to American scenes with the confidence of an artist who had fully absorbed its principles.
Cultural Impact
Drawbridge - Long Branch R. R. is important in the history of American Impressionism because it demonstrates the mature Impressionist manner that Robinson brought to American subject matter as the most important American Impressionist. Robinson's application of the Impressionist method—learned directly from Monet at Giverny—to American subject matter represents the most accomplished tradition of American Impressionism, and the 1894 painting shows this tradition at its most confident and mature.
Why It Matters
Drawbridge - Long Branch R. R. is Robinson's American Impressionism: a railroad drawbridge rendered in the mature Impressionist manner that he developed working alongside Monet at Giverny. The 1894 painting shows the most important American Impressionist applying Monet's method to American subject matter with confidence.