Description

The four large canvases by Hubert Robert in the Art Institute's collection were commissioned by wealthy ﬁnancier Jean-Joseph, Marquis de Laborde, to decorate a salon in his château at Méréville, France. Installed on all sides of the room, they would have suggested that the walls had dissolved, revealing fantasies of Classical architecture animated by scenes of everyday life. Robert was much sought after as a painter of architectural ruins, a genre that appealed to the late 18th-century taste for the antique. He cultivated his knowledge of antiquity over more than a decade of travel and study in Italy.

Provenance

Commissioned with its pendants (1900.383, 1900.384, 1900.385) by Jean Joseph, marquis de Laborde (died 1794), in 1787 for the Château de Méréville (near Etampes); the château was sold by Mme de Laborde, 1819 [see Simone de Lassus, “Quelques Détails inédits sur Méréville,” Bulletin de la Société de l’histoire de l’art français, année 1976 (1978), p. 286 n. 1]; the château was owned successively by: M. Ters and Mme d’Espagnat (sold 1824); comte de Saint-Roman (sold 1866); duc de Sessa (sold 1868); M. and Mme Beleys (sold 1869); la Société Cail (sold 1874); M. Heddle (sold 1889); Adam Natanson (sold 1890); M. Hériot (sold 1896); Prudent Carpentier (sold 1897, at which time the contents of the house were dispersed and the paintings probably sold) [See Simone de Lassus 1978, cited above; a letter from Bernard Binvel to Susan Wise dated May 5, 1987 states, perhaps erroneously, that Hériot sold the paintings in July of 1896]. M. L. François; sold Galerie George Petit, Paris, June 13, 1900, no. 2, to Durand-Ruel, acting on behalf of the Art Institute, with funds provided by Adolphus C. Bartlett, 1900.