Self-Portrait

Description

Frédéric Bazille was in his mid-20s when he executed this startlingly direct self-portrait. Depicted against a dark background with only his palette and brushes to indicate his profession, he looks at the viewer as if caught unawares. The unseen easel and canvas must be located immediately in front of the artist and to our left.

During his brief career, which ended when he was killed in the line of duty during the Franco-Prussian War, Frédéric Bazille produced about 70 paintings, 4 of them self-portraits. He created this work while sharing an apartment-studio with Claude Monet and experimenting with new painting techniques that would be central to the Impressionist movement. It was both a practice piece (in which Bazille observed and painted his reversed image as seen in a mirror) and, given his recent decision to abandon a medical career in favor of art, a professional manifesto.

Provenance

Marc Bazille, brother of the artist, until at least 1910 [lent by him to Paris 1910]; by descent to his son, André Bazille, Montpellier, until at least 1932 [according to Poulain 1932]; by descent to his daughter, Mme Rachou-Bazille, Montpellier, by 1958 [lent by her to Montpellier 1958]. Sold Galerie Charpentier, Paris, June 17, 1960, lot 54 as Frédéric Bazille à la palette, 1865. Wildenstein and Co., New York, by 1962; purchased by the Art Institute through funds from the Mr. and Mrs. Frank H. Woods Endowment in memory of Mrs. Edward Harris Brewer, 1962.

Self-Portrait

Frédéric Bazille

1865–66

Accession Number

110661

Medium

Oil on canvas

Dimensions

108.9 × 71.1 cm (42 7/8 × 28 3/8 in.); Framed: 136.3 × 100.4 × 10.8 cm (53 5/8 × 39 1/2 × 4 1/4 in.)

Classification

oil on canvas

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Purchased with funds provided by Mr. and Mrs. Frank H. Woods in memory of Mrs. Edward Harris Brewer