The Deification of Aeneas by Nymphs and Cupids

Description

The hero of Virgil’s epic the Aeneid, Aeneas is associated with the foundation of Roman culture following the fall of Troy and an arduous journey to his destined homeland in Italy. In this print, Aeneas is prepared for deification; his armor has been removed, and nymphs and cupids perform a ritual cleansing of his body. Van den Dyck, an artist who emerged from the orbit of Peter Paul Rubens, realized this print during one of his many years in Italy. After settling first in Venice, the artist eventually became a court painter to Duke Carlo Gonzaga II in Mantua.

Provenance

Sold by Paul McCarron, to Anne-Marie Logan, February 13, 1991; given to the Art Institute, 2015.

The Deification of Aeneas by Nymphs and Cupids

Daniel van den Dyck

c. 1645

Accession Number

223268

Medium

Etching in black on ivory laid paper

Dimensions

Image: 31.6 × 41.2 cm (12 1/2 × 16 1/4 in.); Sheet, trimmed within platemark: 31.8 × 41.6 cm (12 9/16 × 16 7/16 in.)

Classification

etching

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Anne-Marie Logan