Scholar Playing a Qin 弹琴折扇

Provenance

Ton Ying and Company, New York

Scholar Playing a Qin 弹琴折扇

Cheng Jiasui

1632

Accession Number

43183

Medium

Folding fan mounted as an album leaf; ink on gold-flecked paper

Dimensions

Upper width between top corners: W.: 51 cm (20 1/8 in.); Width between lower corners: W.: 22.3 cm (8 13/16 in.); Rib: H.: 16.8 cm (6 5/8 in.); Mat size: 40.7 × 63.5 cm (16 × 25 in.)

Classification

album leaf

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Mr. and Mrs. Samuel M. Nickerson Endowment Fund

Related Artworks

Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006)Suggested Amendments to album title by Jacqueline Chao, 2013:Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006)

Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006)Suggested Amendments to album title by Jacqueline Chao, 2013:Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006)

Xugu

Landscape in the Style of Ancient Masters: frontispiece title by Lu Hui

Landscape in the Style of Ancient Masters: frontispiece title by Lu Hui

Lu Hui

Landscape in the Style of Ancient Masters: after Fang Congyi (active c. 1340-80)

Landscape in the Style of Ancient Masters: after Fang Congyi (active c. 1340-80)

Lan Ying

Landscape in the Style of Ancient Masters: After Gao Shangshu, Following Dong Yuan and Ju Ran, and Later in the Style of Mi Fu

Landscape in the Style of Ancient Masters: After Gao Shangshu, Following Dong Yuan and Ju Ran, and Later in the Style of Mi Fu

Lan Ying