Final Study for "Bathers at Asnières"

Description

Georges Seurat made this painting as a preparatory work for his monumental Bathers at Asnières, now in the National Gallery, London. It shows men and boys on the bank of the Seine River in the working-class Parisian suburb of Asnières. The view presented here is just across the river from the leisure park Seurat immortalized in his best-known work, A Sunday on La Grande Jatte—1884. The frozen gestures and sedate poses of these bathers set a mood distinct from the sparkling scenes of Parisians enjoying restaurants and other riverbank activities favored by the Impressionists. Nevertheless, Seurat’s focus on a subject from modern life, his luminous palette, and his airy brushwork show how the young artist adapted characteristics of Impressionist painting for his own purposes.

Provenance

The artist; given to Robert Caze (died 1886), Paris [this and the following according to Dorra and Rewald 1959, 100; see also Seurat's list of owners of his works where Caze is named as the owner of "Esquisse de la baignade," reprinted in New York 1991, 380]; by descent to his widow, Louise Caze (died 1887), Paris. Gary. W.H. Sprenger, Paris and Essen [according to email from Claudine Godts, Wildenstein, Oct. 28, 2021; copy in curatorial object file]; Wildenstein and Co., New York, by 1948; sold to David M. Levy (died 1977) and Adele R. Levy (died 1960), New York, 1949; given to the Art Institute of Chicago, 1962.

Final Study for "Bathers at Asnières"

Georges Seurat

1883

Accession Number

20199

Medium

Oil on panel

Dimensions

15.8 × 25.1 cm (6 1/4 × 9 7/8 in.); Framed: 54.3 × 63.9 × 6.1 cm (21 3/8 × 25 1/8 × 2 3/8 in.)

Classification

oil on panel

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of the Adele R. Levy Fund, Inc.