L'Estaque

Description

Émilie Charmy was among the first women to exhibit paintings in the Fauvist style. Traveling to rugged sites on France’s Mediterranean coast, such as L’Estaque, depicted here, she created landscapes suffused with emotion and subjective expression. Laying down vibrant color in broad unstructured planes, she composed the scene as a collection of loosely joined organic forms. The swelling and tapering shapes along the composition’s edges produce a dynamic sense of movement that dissipates at the center, where we glimpse the calm waters of the Bay of Marseille.

Charmy was celebrated during her lifetime, but the accolades she received feel wildly gendered today. In 1921, for example, a French writer described her as an artist who “sees like a woman and paints like a man…from the one she takes grace and from the other strength, and this is what makes her such a strange and powerful painter who holds our attention.”

Provenance

Galerie E. Druet, Paris, probably acquired directly from the artist, by Feb. 17, 1913 [New York 1913 and May 2, 1913 letter from Treasurer of the Association of American Painters and Sculptors to Eugène Druet, Walter Kuhn Papers, Archives of American Art, Series 1, Subseries 1.1.6, copy in curatorial object file]; sold to Arthur Jerome Eddy (1859-1920), Chicago, March 4, 1913 [Barnett 2022]; by descent to his wife Lucy O. Eddy (1863-1931) and son Jerome O. Eddy (1891-1951), Chicago, 1920; given to the Art Institute of Chicago, 1931.

L'Estaque

Émilie Charmy

c. 1910

Accession Number

9010

Medium

Oil on canvas

Dimensions

57.3 × 73.7 cm (22 1/2 × 29 in.)

Classification

painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Arthur Jerome Eddy Memorial Collection