Head of Buddha

Description

This damaged over-life-sized Buddha head exemplifies the Mon-Khmer artistic style of northeast Thailand during the late first millennium CE. Carved from red sandstone, this Buddha head belonged to a large statue and was likely produced in a regional workshop in the area of modern-day Nakhon Ratchasima (Khorat) province. Its broad face, elongated earlobes, nearly closed eyes, full cheeks, and delicately contoured lips convey a serene, contemplative expression. The large snail-shell curls adorning the head reflect a blend of imported and local artistic traditions. However, significant damage—including a broken nose, worn facial surface, and missing ushnisha (cranial protuberance)—suggests either natural dislocation or deliberate mutilation, possibly during later periods of conflict or looting. Although its original site remains uncertain due to the widespread displacement of artifacts, the ancient town of Mueang Sema is a strong candidate based on stylistic and material evidence.

Provenance

Possibly with Robert Rousset, Galerie d’Art de la Compagnie de la Chine et des Indes, Paris, 1972 [invoice from Galerie d’Art de la Compagnie de la Chine et des Indes, June 21, 1972; copy in curatorial object file]; sold to James W. Alsdorf (1913–1990) and Marilynn B. Alsdorf (1925–2019), Winnetka, IL, by 1972 [on long-term loan at the Art Institute of Chicago, Apr. 7, 1983]; by descent to Marilynn B. Alsdorf, Chicago, IL, 1990 [publicly promised as a gift to the Art Institute of Chicago, 1997; signed a promised gift agreement for the work, Mar. 11, 2002]; given to the Art Institute of Chicago, Nov. 15, 2016.

Head of Buddha

Pre-Angkorean

Mon period, 8th‒9th century

Accession Number

146854

Medium

Sandstone

Dimensions

39.4 × 30.5 × 31.8 cm (15 1/2 × 12 × 12 1/2 in.)

Classification

sculpture

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Marilynn B. Alsdorf