Mississippi Fisherman

Description

George Caleb Bingham portrayed a man quietly fishing in a secluded spot, delineating the figure and environs with controlled brushwork. Raised in Missouri, Bingham specialized in genre paintings of white working-class boatmen who facilitated the brisk movement of commercial goods along the Mississippi, Missouri, and Ohio Rivers in the mid-19th century. Here, the figure’s loose-fitting shirt, boots, and hat convey his role as a laborer in the area’s river economy.

Achieving a national reputation as an artist, Bingham also engaged in politics, holding positions in Missouri state government. During the 1850s he was a staunch advocate for the preservation of the Union and spoke out against slavery. Focusing on everyday activities that transpired along interregional waterways, Bingham reinforced the critical ties between west and east, north and south, amid a disquieted nation.

Provenance

William P. Thomas (1826–1883), Missouri, brother of George Caleb Bingham’s second wife, Eliza K. Thomas Bingham (1830–1876); by descent to his wife Martha Ann Collins Thomas (1830–1928), Lake Charles, LA; by descent to her granddaughter May Cook Caldwell (1889–1963), Lake Charles, LA; with James Graham & Sons Gallery, New York, 1961; sold to Marshall Field V, Illinois and Florida, 1963; given to the Art Institute of Chicago, 2021.

Mississippi Fisherman

George Caleb Bingham

c. 1850

Accession Number

260764

Medium

Oil on canvas

Dimensions

74.9 × 62.5 cm (29 1/2 × 24 5/8 in.)

Classification

american arts

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Jamee J. and Marshall Field