Vase

Description

The establishment of Marblehead Pottery is an example of the American Arts and Crafts movement’s preoccupation with therapeutic reform through handicraft. Dr. Herbert Hall created a ceramics studio at his Marblehead, Massachusetts, sanatorium in 1904 to rehabilitate “nervously worn out patients.” Hall hired ceramist Arthur Baggs to assist with production. By 1908, however, the pottery no longer employed patients and instead was staffed with professional potters. Renamed Marblehead Pottery, the firm had began to produce pottery with incised geometric designs in contrasting matte colors. The Japanese-informed teachings of painter Arthur Wesley Dow, who led a summer art colony at Ipswich, 18 miles from Marblehead, inspired the vase’s stylized marsh landscape.

Provenance

Blanche and George Byrne, Winchester, MA, by the late 1920s; given to her cousin, Gladys Romney (born in Jacksonville, FL, 1894), Boston, by the early 1930s; given to her daughter-in-law, Maxine Gross Romney (died 1917), Boston, and then Ellenboro, NC, by 1956; sold to Dr. Paul Rappaport, Saratoga Springs, NY, 2003; with McCelland and Rachen, New York, by 2008; sold to the Art Institute of Chicago, 2008.

Vase

Annie E. Aldrich

c. 1909

Accession Number

193750

Medium

Earthenware and glaze

Dimensions

21.6 × 17.5 × 17.5 cm (8 1/2 × 6 7/8 × 6 7/8 in.)

Classification

vase

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Vance American Art Fund; purchased with funds provided by the Antiquarian Society