Robert Hyde, Squire of Hyde

Provenance

By descent through the family of Robert Hyde, 1778-1934. E. and A. Silberman, New York, 1940-1943; sold to the Friends of American Art 1943; given by them to the Art Institute of Chicago.

Robert Hyde, Squire of Hyde

John Singleton Copley

1778

Accession Number

48719

Medium

Oil on canvas

Dimensions

75.6 × 62.9 cm (29 3/4 × 24 3/4 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Friends of American Art Collection

Background & Context

Background Story

John Singleton Copley's Robert Hyde, Squire of Hyde (1778) is an oil on canvas portrait of an English gentleman, painted after Copley moved from America to London in 1774. The title Squire of Hyde indicates Hyde's status as a landed gentleman. Copley's English portraits show the influence of the British portrait tradition, particularly the work of Sir Joshua Reynolds and Thomas Gainsborough, while maintaining the precision and directness that distinguished his American work. Robert Hyde is shown in a pose appropriate to his status, perhaps outdoors or in a setting that suggests his connection to the land. The palette is rich and varied, the handling is refined and confident. This portrait dates from the period when Copley was establishing himself in the competitive London art market, and it shows him successfully adapting his American style to the expectations of his new English patrons.

Cultural Impact

Copley's English portraits demonstrate his successful transition from the American colonial world to the London art market, establishing him as a major figure in British painting.

Why It Matters

This portrait of Robert Hyde captures the dignity and status of the English landed gentleman, Copley's refined technique and careful composition showing his successful adaptation to the London art world.