Description
In the early 19th century, schoolgirls in Northern Europe made darning samplers to learn the crucial skill of mending, practicing a range of embroidery and darning techniques that could extend the life of garments and household textiles. Although these repairs have a beauty all their own when made in contrasting thread, they were ultimately intended to be invisible. The use of two-colored threads allowed students to discern the underlying weave structure; students would gradually transition to using one color of thread as they gained skill.
Provenance
Mrs. Harold Keele, Chicago, by Feb. 11, 1976 [Incoming receipt, RX10495, Feb. 11, 1976; copy in curatorial object file]; given to the Art Institute of Chicago, 1976.
Darning Sampler
1801
Accession Number
50620
Medium
Linen, plain weave; embroidered with silk in darning and cross stitches
Dimensions
48 × 45.3 cm (18 7/8 × 17 7/8 in.)
Classification
textile
Credit Line
Gift of Mrs. Harold Keele through the Needlework and Textile Guild