Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels

Description

Piero di Cosimo was known as one of the most unorthodox artists in Renaissance Florence. His paintings enliven traditional themes through imaginative inventions. Here, John the Baptist offers plums to the infant Jesus, who eagerly devours one while another lies half-eaten on the ground. At right, Saint Cecilia, patron of musicians, sings from a book of music, while wingless angels look on in the background.

The shadowed effect in the figures surrounding the Virgin and Child indicate that Piero altered his plans for the composition after he had begun painting: He added them on top of the dark background color, which shows through the thin layers of paint on the surface.

Provenance

Private collection, Scotland; acquired by Madame Miriam Gilou-Cendrars and her husband, Albert Gilou, early 1930s; Gilou-Cendrars collection, France; sold Roubaix, France, J. Mercier, J. Velliet, D. Thullier, F. Issaly, June 18, 1989, lot 84; bought by Richard L. Feigen Co., New York; sold to the Art Institute, 2007.

Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels

Piero di Cosimo

c. 1505

Accession Number

188974

Medium

Oil on panel

Dimensions

Diam.: 75 cm (29 9/16 in.); Framed: Diam.: 104.2 cm (41 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Lacy Armour Fund

Background & Context

Background Story

Piero di Cosimo's Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels (c. 1500) is a Renaissance panel painting by the Florentine master known for his eccentric and poetic style. The painting shows the Virgin and Child surrounded by saints and angels in a landscape, rendered with the rich colors and graceful figures characteristic of the Florentine Renaissance.

Cultural Impact

Piero di Cosimo was one of the most original painters of the Florentine Renaissance.

Why It Matters

This altarpiece captures the grace and spirituality of Renaissance religious painting.