Lady Reading the Letters of Heloise and Abelard

Description

This painting depicts a young woman lost in reverie after reading the letters of the ill-fated medieval lovers Heloise and Abelard. The objects on the table beside her—a letter, a sheet of music, and a book of erotic poetry—hint at a life of leisure and a susceptibility to love. In this early picture, Auguste Bernard drew upon history paintings by Peter Paul Rubens and Charles Le Brun, as well as Parisian traditions of genre painting and portraiture pioneered by Jean-Baptiste Greuze. Bernard worked in Paris in the early 1780s and studied in Italy for several years. Upon his return to Paris, he found his career frustrated by the French Revolution and the emergent fashion for the more austere Neoclassical style.

Provenance

Louis Gabriel Marquis de Véri-Raionard (died 1785); his estate sale, Paris, December 12, 1785, lot 74; sold to Devouge for 371 livres [acc. to annotated copies of the catalogue in the Rijksbureau voor Kunsthistorische Documentatie, The Hague, and Getty Research Institute]. David David-Weill, Neuilly-sur-Seine, Paris; sold or consigned to Wildenstein, Paris, 1919; sold by Wildenstein, 1924 [acc. to Joseph Baillio’s letter to Martha Wolff, dated September 23, 1994, in curatorial file]. Albert John Kobler (died 1937), New York; by descent to his wife, Mignon Kobler (died 1942) [acc. to Martha Wolff’s telephone conversation with John Kobler, Albert’s son, May 30, 1995, and Chrisopher Apostle, Sotheby's who confirmed that the picture was consigned to Parke-Bernet by the Kobler estate; see his letter to Martha Wolff, dated October 26, 2004, in curatorial file]; sold Parke-Bernet, New York, April 22, 1948, lot 16 (ill.), as Jean Baptiste Greuze, L’Amoureux Desir; Nicholas de Koenigsberg, New York and Argentina [acc. to Parke-Bernet Galleries’ archive card]. Simon Dickinson Inc., New York, by 1994; sold to the Art Institute, 1994.

Lady Reading the Letters of Heloise and Abelard

Bernard d'Agescy

c. 1780

Accession Number

133859

Medium

Oil on canvas

Dimensions

81.3 × 64.8 cm (32 × 25 1/2 in.); Framed: 105.5 × 89.9 × 11.5 cm (41 1/2 × 35 3/8 × 4 1/2 in.)

Classification

oil on canvas

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Mrs. Harold T. Martin Fund; Lacy Armour Endowment; Charles H. and Mary F.S. Worcester Collection