Beach at Cabasson (Baigne-Cul)

Description

In 1891, as a result of his rheumatoid arthritis, Henri Edmond Cross moved to Cabasson, a hamlet on the Côte d’Azur in southeastern France. The move deeply affected his art: after settling on the Mediterranean coast, he embraced the divided brushwork (small dashes and dots of color) and tonal gradations of “scientific Impressionism.” This methodical technique was a departure from the Impressionists’ more intuitive quick strokes of color to capture fleeting atmospheric conditions. In this beach scene, Cross used this more systematic paint application to convey the color and heat of his adopted region.

Provenance

Baron Eberhard Freiherr von Bodenhausen-Degener (1868 - 1918), Munich [according to Billeter 2001]; possibly by descent to his wife Dora Freifrau von Bodenhausen (1877-1969). Martin Fabiani, Paris [this and the following according to Gallery Fine Arts Associates' stock card, Otto Gerson Papers, Archives of American Art, copy in curatorial file]; sold to Gallery Fine Arts Associates (Otto Gerson), May 1951; sold to Mrs. Vincent Astor, Rhinebeck, New York, May 1951. Mr. and Mrs. Werner E. Josten, New York, by 1964 until at least 1968 [Compin 1964 and New York 1968]. Private Collection, Maryland [information given by R. L. Feigen]. Richard L. Feigen and Co., by 1982; sold to the Art Institute, 1983.

Beach at Cabasson (Baigne-Cul)

Henri Edmond Cross

1891–92

Accession Number

100476

Medium

Oil on canvas

Dimensions

65.3 × 92.3 cm (25 3/4 × 36 3/8 in.); Framed: 82.6 × 108.6 × 6.4 cm (32 1/2 × 42 3/4 × 2 1/2 in.)

Classification

oil on canvas

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

L. L. and A. S. Coburn, and Bette and Neison Harris funds; Charles H. and Mary F. S. Worcester Collection; through prior acquisition of the Kate L. Brewster Collection