Description
This painting is based on a 1745 pantomime about a young shepherd’s awakening love for a shepherdess. The couple feed each other grapes—a fruit associated with Bacchus, god of pleasure—suggesting that their encounter is not entirely chaste. François Boucher’s compositions on pastoral themes comprise his most influential contribution to 18th-century French art. These lush and playful fantasies of rustic life, designed primarily for the private enjoyment of wealthy financiers and aristocrats, had little to do with the social realities of rural labor during the period.
Provenance
With the pendant Flageolet Player, probably Jean Baptiste Machault d’Arnouville (died 1794), contrôleur général des finances; by descent to Melchior, marquis de Vogüe, one of whose descendants married comte René de Rohan Chabot [proposed by Alistair Laing in connection with the history of the pendant, in a letter to Susan Wise, August 13, 1986 in curatorial file]. Comte René de Rohan Chabot, Paris; sold to Wildenstein, 1959 [telephone conversation of Ay-Wang Hsia with Susan Wise, May 4, 1982]; sold to the Art Institute, 1973.
Accession Number
44742
Medium
Oil on canvas
Dimensions
Oval: 80.8 × 68.5 cm (31 3/4 × 27 in.); Framed: 96.6 × 84.5 × 11.5 cm (38 × 33 1/4 × 4 1/2 in.)
Classification
oil on canvas
Credit Line
Martha E. Leverone Endowment