Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun

Description

In small, lively paintings made for his own pleasure or for a few discerning patrons, Francisco de Goya explored satirical and popular aspects of Spanish life. This series was inspired by a contemporary event, the capture of notorious criminal El Maragato by Friar Pedro de Saldivia in 1806. After escaping from prison, El Maragato spent two months stealing food, guns, and money before trying to take Friar Pedro and other innocent people hostage. The friar outsmarted the bandit, however, seizing his gun, shooting him in the thigh as he tried to flee, and finally tying him up. This story was extremely popular in the early 19th century and Spanish artists memorialized it in images, poems, and songs.

Provenance

One of a series of six small paintings in an inventory of Goya’s collection, Madrid, taken in 1812 for the division of property between the artist and his son Javier following the death of the artist's wife; the group of small paintings marked X8 being allotted to the son: "Seis quadros del Maragato señalados con el número ocho, en 700 [reales]" (the inventory mark has been removed from the painting and is no longer visible) [see Gassier and Wilson 1971]; presumably Javier Goya after 1812. Lafitte collection, Madrid; sale, Paris, Hôtel Drouot, March 7, 1861, bought in together with other paintings from the series for 590 francs [see Hippolyte Mireur, Dictionnaire des ventes (Paris, 1914), vol. 3, p. 360 and Despartment Fitz-Gerald 1928-1950]. Julius Böhler, Munich by 1911; sold to Martin Ryerson (died 1932), Chicago in May 1911 [see purchase receipt dated May 13, 1911]; bequeathed to the Art Institute, 1933.

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun

Francisco José de Goya y Lucientes

c. 1806

Accession Number

16354

Medium

Oil on panel

Dimensions

29.2 × 38.5 cm (11 1/2 × 15 3/4 in.); Framed: 41.6 × 51.2 × 6.4 cm (16 3/8 × 20 1/8 × 2 1/2 in.)

Classification

oil on panel

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Mr. and Mrs. Martin A. Ryerson Collection

Background & Context

Background Story

Francisco Goya's "Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun" (c. 1806) is an oil on panel depicting a dramatic episode from a famous real-life incident. The story involved a notorious bandit known as El Maragato, who was subdued by the quick-thinking Friar Pedro de Zaldivia. The friar, pretending to offer the bandit a pair of shoes, used the opportunity to push aside the bandit's gun and capture him. Goya's painting captures the crucial moment of action: the friar's hand reaching out with the shoes while his other hand moves to deflect the weapon. The oil on panel technique allows for rapid, vigorous brushwork. The composition is concentrated and dramatic, the two figures locked in a struggle that is both physical and psychological. Goya painted a series of four panels narrating this story, of which this is one. The subject appealed to Goya's interest in popular culture, his fascination with the drama of everyday life, and his ability to capture moments of extreme tension and action.

Cultural Impact

Goya's series of El Maragato and Friar Pedro demonstrates his ability to transform a popular anecdote into a dramatic narrative in paint, anticipating the narrative painting of the 19th century.

Why It Matters

This panel captures the decisive moment in a real-life drama with extraordinary dramatic intensity, the friar's double gesture of offering and deflecting creating a composition of perfect narrative clarity.