Architect, painter, and printmaker Karl Friedrich Schinkel understood Gothic architecture as a fusion between universal Christianity and German genius. The combination here of vernacular Gothic architecture and a grand oak tree symbolizing Teutonic strength—as well as the medium of lithography itself, which had recently been invented in Munich by Alois Senefelder—infuses the print with a particularly nationalistic significance. This patriotism is all the more pointed given Germany’s military defeat at the hands of Napoleon’s army in 1806 and the subsequent occupation of Schinkel’s home of Berlin by French troops.