Edgar Degas first painted dancers as an independent subject in 1871. He was to devote almost half his output as an artist to this subject, observing countless performances and rehearsals at the Paris Opéra. Here he placed the viewer in the wings, as if among the elite Opéra subscribers who roamed and socialized backstage. Dance subjects allowed Degas to contemporize his lifelong interest in showing the human body in complex movement, shifting the scene from ancient history to modern Paris. He finished and signed the present canvas in time for the second Impressionist exhibition, in April 1876.