Accession Number
47914
Medium
Lithograph on white wove paper
Dimensions
Image: 35.2 × 46 cm (13 7/8 × 18 1/8 in.); Sheet: 50.5 × 67 cm (19 15/16 × 26 7/16 in.)
Classification
lithograph
Credit Line
Gift of Stanley M. Freehling
Background & Context
Background Story
"Hats Vesuvius" is a 1973 lithograph by Claes Oldenburg that belongs to the series of prints in which the American Pop artist transformed ordinary objects into monuments and disasters, the image showing hats arranged in a volcanic eruption that suggests both the absurdity of consumer culture and the destructive power of natural forces. The composition shows a pile or explosion of hats, the familiar forms rendered with the bold, graphic lines of lithography that make the everyday objects feel monumental and terrifying, the volcanic metaphor creating a humorous but unsettling image of consumerist excess. The white wove paper provides a neutral ground that makes the black lithographic lines appear crisp and aggressive, the contrast emphasizing the graphic impact of the image. The 1973 date places this work in the period of Oldenburg's most intensive printmaking activity, when he was collaborating with workshops in America and Europe to produce portfolios that disseminated his sculptural ideas to a wider audience. Art historians have connected this print to the broader tradition of the disaster image in modern art, from the volcanic paintings of Wright of Derby to the apocalyptic imagery of the Surrealists, noting that Oldenburg's treatment is more humorous, more focused on the absurdity of the juxtaposition than the sublime terror of these predecessors. The work also demonstrates Oldenburg's mastery of the lithographic medium: the bold contrasts, the graphic clarity, and the overall energy of the image all reflect his ability to translate three-dimensional sculptural ideas into two-dimensional prints.
Cultural Impact
This 1973 lithograph made consumerist hat-explosion absurdly monumental through bold graphic volcanic metaphor, using white-paper black-line crisp aggression to transform everyday objects into humorous apocalyptic Pop disaster prints.
Why It Matters
It matters because Oldenburg drew hats exploding like a volcano and made fashion feel like geology—proving that even a closet could erupt if the lithograph was bold enough.