The Turmoil of Conflict (Joan of Arc series: IV)

Provenance

Commissioned by William A. Clark [1839-1925], New York; bequest April 1926 to the Corcoran Gallery of Art, Washington; acquired 2015 by the National Gallery of Art.

The Turmoil of Conflict (Joan of Arc series: IV)

Boutet de Monvel, Louis Maurice

c. late 1909-early 1913

Accession Number

2015.19.37

Medium

oil and gold leaf on canvas

Dimensions

overall: 75.57 × 172.72 cm (29 3/4 × 68 in.) | framed: 99.06 × 196.85 × 10.16 cm (39 × 77 1/2 × 4 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Corcoran Collection (William A. Clark Collection)

Tags

Painting Early Modern (1901–1950) Oil Painting Gold Leaf Canvas French

Background & Context

Background Story

The Turmoil of Conflict is the fourth panel in Boutet de Monvel's Joan of Arc series, depicting Joan in the heat of battle—a subject that allowed the artist to combine his medievalizing style with the dynamic composition that military subjects demand. The turmoil of the title is both physical (the chaos of battle) and spiritual (Joan's divine mission in conflict with human violence), and the composition arranges the figures in a swerving diagonal that conveys the movement and confusion of combat while maintaining the stylized aesthetic of the series. The gold leaf background persists even in the battle scene, transforming the violence of war into a sacred narrative.

Cultural Impact

Boutet de Monvel's depiction of Joan in battle is one of the most original panels in the series because it combines the medievalizing aesthetic of the gold leaf backgrounds with the dynamic composition required by a battle scene. The result is a battle painting that feels simultaneously like a medieval manuscript illumination and a modern composition—a hybrid that reflects Joan's dual status as both a medieval saint and a modern nationalist hero.

Why It Matters

The Turmoil of Conflict is Boutet de Monvel's medievalizing aesthetic at its most dynamic: a battle scene rendered in the style of a manuscript illumination, with gold leaf transforming the violence of war into a sacred narrative. Joan is simultaneously a military leader and a saint, and the painting's hybrid style reflects that dual identity.