Niagara

Provenance

Sold 1857 by the artist to (Williams, Stevens & Williams, New York); forfeited to (Brown Brothers Bankers, New York); (sale, Exhibition to Benefit the Association for Improving the Condition of the Poor, Tiffany & Co., New York, December 1861);[1] purchased by John Taylor Johnston, New York; purchased 1876 by the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art. [1] Jeremy Elwell Adamson, “Frederic Edwin Church’s ‘Niagara’: The Sublime as Transcendence,” 3 vols., Ph.D. dissertation, University of Michigan, 1981, believes there to have been an as-yet unidentified owner between the Brown Brothers and Johnston, but cites no evidence for this claim beyond a letter from Church to MacLeod, 11 January 1877, which makes no such assertion. Adamson believed that _Niagara_ was purchased by this unidentified owner from the bank for $5,000. This is the amount Church believed Johnston paid for the painting.

Niagara

Church, Frederic Edwin

1857

Accession Number

2014.79.10

Medium

oil on canvas

Dimensions

overall: 101.6 × 229.9 cm (40 × 90 1/2 in.) | framed: 164.5 × 286.4 × 17.8 cm (64 3/4 × 112 3/4 × 7 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Corcoran Collection (Museum Purchase, Gallery Fund)