Provenance
Private Collection, Paris. (Théodore Bonjean, Paris);[1] purchased 20 May 1911 by (M. Knoedler & Co., New York); Knoedler sold half-share to (P. & D. Colnaghi & Co.);[2] purchased October 1922 by William A. Clark [1839-1925], New York;[3] bequest 1926 to the Corcoran Gallery of Art, Washington; acquired 2015 by the National Gallery of Art.
[1] Early provenance according to Knoedler. See M. Knoedler & Co. Records, accession number 2012.M.54, Research Library, Getty Research Institute, Los Angeles: Painting Stockbook 5, 8800-12652, 1899 April-1911 December, page 243, the painting is stock number 12569.
[2] The first mention of joint-ownership with Colnaghi is dated 30 April 1912. See M. Knoedler & Co. Records, accession number 2012.M.54, Research Library, Getty Research Institute, Los Angeles: Painting Stockbook 6, 12653-15139, 1911 December-1920 July, page 21.
[3] See See M. Knoedler & Co. Records, accession number 2012.M.54, Research Library, Getty Research Institute, Los Angeles: Painting Stockbook 7, 15140-17039, 1921 January-1927 December, page 2.
Accession Number
2015.19.29
Medium
oil on canvas
Dimensions
overall: 32.39 × 52.71 cm (12 3/4 × 20 3/4 in.) | framed: 48.9 × 68.9 × 6.99 cm (19 1/4 × 27 1/8 × 2 3/4 in.)
Classification
Painting
Credit Line
Corcoran Collection (William A. Clark Collection)