Provenance
Commissioned by William A. Clark [1839-1925], New York; bequest April 1926 to the Corcoran Gallery of Art, Washington; acquired 2015 by the National Gallery of Art.
The Maid in Armor on Horseback (Joan of Arc series: III)
c. 1908-late 1909
Accession Number
2015.19.36
Medium
oil and gold leaf on canvas
Dimensions
overall: 75.57 × 171.45 cm (29 3/4 × 67 1/2 in.) | framed: 97.79 × 193.04 × 10.16 cm (38 1/2 × 76 × 4 in.)
Classification
Painting
Credit Line
Corcoran Collection (William A. Clark Collection)
Tags
Painting Early Modern (1901–1950) Oil Painting Gold Leaf Canvas French
Background & Context
Background Story
Louis Maurice Boutet de Monvel (1850-1913) was a French painter and illustrator best known for his series on Joan of Arc, of which The Maid in Armor on Horseback is the third panel. The series was commissioned for a planned luxury illustrated book on Joan of Arc, and the oil and gold leaf medium reflects the medieval manuscript tradition that Boutet de Monvel was evoking. The Maid in Armor shows Joan mounted and armed, the moment when the peasant girl transforms into the military leader who would lead the French army to victory at Orléans. The stylized figures, the golden backgrounds, and the flattened perspective are all influenced by medieval manuscript illumination.
Cultural Impact
Boutet de Monvel's Joan of Arc series was one of the most ambitious artistic projects of the early 20th century, combining the medieval revival of the Arts and Crafts movement with the nationalist mythology of Joan of Arc that had been strengthened by the Franco-Prussian War and the Dreyfus Affair. The oil and gold leaf medium connects the series to medieval manuscript tradition, while the stylized composition connects it to the decorative painting of the Art Nouveau period. The result is a hybrid work that is simultaneously medieval and modern.
Why It Matters
The Maid in Armor on Horseback is Boutet de Monvel's Joan of Arc at her most triumphant: the peasant girl transformed into a military leader, rendered in oil and gold leaf that evoke medieval manuscript illumination. The gold is not decorative but devotional—Joan is a saint in armor, and the painting treats her with the reverence that her canonization (1920) would eventually confirm.
Related Artworks
Jeanne d'Arc (Joan of Arc)
Boutet de Monvel, Louis Maurice
The Crowning at Rheims of the Dauphin (Joan of Arc series: V)
Boutet de Monvel, Louis Maurice
Her Appeal to the Dauphin (Joan of Arc series: II)
Boutet de Monvel, Louis Maurice
The Vision and Inspiration (Joan of Arc series: I)
Boutet de Monvel, Louis Maurice