The artist [1857-1891], until his death.[1] (Bernheim-Jeune, Paris), in 1908.[2] (Heim, Paris). (Wildenstein, New York). Duncan MacDonald [d. 1949], London. (Alex Reid & Lefevre, London), in 1949.[3] William A. Cargill [d. 1962], Carruth, Bridge of Weir, Scotland; (his estate sale, Sotheby's, London, 11 June 1963, no. 43); purchased by (Acciarri) for (Hector Brame, Paris) for Paul Mellon [1907-1999], Upperville, Virginia; bequest 1999 to NGA, with life interest to his wife, Rachel Lambert Mellon [1910-2014]. [1] Atelier Seurat, posthumous inventory, no. 52. [2] _Retrospective Georges Seurat_, Galerie Bernheim-Jeune, Paris, 1908-1909, no. 33. [3] The 1963 Cargill sale catalogue lists Duncan MacDonald and Lefevre Gallery as the last two owners of the painting prior to Cargill. MacDonald was a director of Reid & Lefevre, first in Glasgow and then in London, from about 1926 until his death. It is not yet known whether MacDonald owned the painting privately, or whether he acquired it as stock for the gallery. It was shown in the exhibition _Nineteeth Century French Masters_ at Lefevre Gallery, London, in 1949, where it was no. 37, titled _La Promenade_.