Provenance
Samuel John Talbot Hassel [1797-1882], Kingston upon Hull; by gift February 1875 to his son, John Gordon Talbot Hassell [1846-?];[1] by inheritance to his brother, George Clements Hassell [1835-1907]; by inheritance to his son, Reginald Talbot Clements Hassell [1873-1940]; by inheritance to his daughter, Joan Clements Schreiber Miller [née Hassell, 1907-1999]; by gift 1970s to her sister, Evelyn Barbara Eleanor Bethell [née Hassell, 1910-2004]; by inheritance to her children, John Bethell, Sarah Hamp, Frances Hastings, and Victoria Bethell;[2] (sale, Christie, Manson & Woods, London, 27 September 2006, no. 129); (French and Company, New York); purchased 8 November 2007 by NGA.
[1] The painting was sold in 2006 along with a copy of Albert Hastings Markham's _A Whaling Cruise to Baffin's Bay and the Gulf of Boothia_ (London, 1874), the front endpaper of which is inscribed: "This Book and the Painting, by Ward, of the Northern Whale Fishery given to John Gordon Talbot Hassell, on his return home after an absence of Eleven Years - nine of which in Hong Kong, whence he is again about to proceed, by his Father J.T. Hassell Kingston upon Hull February 1875 the Painting and the Book always to accompany each other into whose possession they may ever come." The book, which also contains a painted and inscribed silhouette of Captain Sir John Ross, is now in the NGA Library.
[2] The details of the painting's descent through her family were kindly provided to NGA by Victoria Bethell.
Accession Number
2007.114.1
Medium
oil on canvas
Dimensions
overall: 48.9 x 71.8 cm (19 1/4 x 28 1/4 in.)
Classification
Painting
Credit Line
The Lee and Juliet Folger Fund
Tags
Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas British
Background & Context
Background Story
John Ward of Hull (1798-1849) was a British painter known for the precisely observed marine paintings of the whale fishery that make him one of the most accomplished marine painters of the 19th century. The Northern Whale Fishery: The Swan and Isabella from c. 1840 depicts two whaling ships in the Arctic whale fishery in the precisely observed, atmospheric manner that distinguishes Ward's best work from the more general marine painting of his contemporaries. Hull was one of the most important whaling ports in Britain, and Ward's precisely observed marine paintings of the whale fishery represent one of the most accomplished traditions in marine painting, documenting the dangerous and important industry of Arctic whaling.
Cultural Impact
The Northern Whale Fishery: The Swan and Isabella is important in the history of British marine painting because it demonstrates the precisely observed, atmospheric manner that Ward brought to whale fishery subjects as one of the most accomplished marine painters of the 19th century. Ward's precisely observed marine paintings of the whale fishery—documenting the dangerous and important industry of Arctic whaling with the precise observation that is his most distinctive contribution—represent one of the most accomplished traditions in marine painting, and the c. 1840 painting shows this tradition at its most precisely observed.
Why It Matters
The Northern Whale Fishery is Ward's precisely observed marine painting: two whaling ships in the Arctic rendered in the atmospheric manner of one of the most accomplished marine painters of the 19th century. The c. 1840 painting documents the dangerous and important industry of Arctic whaling that was central to Hull's economy.