Provenance
Probably painted for the sitter's father, David Reid, Edinburgh; by descent, through the sitter's daughter, Mrs. John Pryce, to Sir Henry Edward ap Rhys-Pryce [1874-1950];[1] (sale, Christie, Manson & Woods, London, 18 July 1924, no. 84); (M. Knoedler & Co., London); from whose New York branch it was purchased 1924 by Andrew W. Mellon, Pittsburgh and Washington, D.C.;[2] gift by 1937 to his daughter, Ailsa Mellon Bruce [1901-1969], New York; bequest 1970 to NGA.
[1] The early provenance is recorded in a dealer's prospectus, probably Knoedler's, in NGA curatorial files.
[2] According to the records of both Mrs. Mellon Bruce and Mr. Mellon, copies of which are in NGA curatorial files.
Accession Number
1970.17.131
Medium
oil on canvas
Dimensions
overall: 75.5 x 64 cm (29 3/4 x 25 3/16 in.) | framed: 91.4 x 80.6 x 6.6 cm (36 x 31 3/4 x 2 5/8 in.)
Classification
Painting
Credit Line
Ailsa Mellon Bruce Collection