Stylized Landscape

Provenance

Recorded as from Connecticut. (Walter Wallace, city unknown), by whom sold in 1953 to Edgar William and Bernice Chrysler Garbisch; gift to NGA, 1967.

Stylized Landscape

American 19th Century

second half 19th century

Accession Number

1967.20.7

Medium

oil on canvas

Dimensions

overall: 70.5 x 105.4 cm (27 3/4 x 41 1/2 in.) | framed: 88.6 x 124.4 x 3.8 cm (34 7/8 x 49 x 1 1/2 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Edgar William and Bernice Chrysler Garbisch

Tags

Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas American

Background & Context

Background Story

Stylized Landscape from the second half of the 19th century depicts a landscape in the decorative, stylized manner that characterizes American folk landscape painting of the period. The 'stylized' designation indicates that the painting does not attempt naturalistic representation but uses conventionalized forms and compositional formulas to create a decorative landscape that serves as much as an ornament as a representation of a specific place. The second half 19th century date places this in the period when American folk painting was producing decorative landscapes for middle-class households that could not afford the more accomplished work of the Hudson River School.

Cultural Impact

Stylized Landscape is important in the history of American folk art because it demonstrates the decorative function of folk landscape painting in the 19th century. The conventionalized forms and compositional formulas of the painting indicate that it was created as much for ornament as for representation, serving the decorative needs of middle-class households that wanted landscape paintings but could not afford the work of professional painters.

Why It Matters

Stylized Landscape is American folk painting as decoration: a landscape in conventionalized forms that serves as much as ornament as representation, satisfying the decorative needs of middle-class households that could not afford professional landscape painting. The second half 19th century painting demonstrates the decorative function of folk art in American domestic interiors.