Provenance
Probably painted for the sitter's husband, Thomas Horne; by descent to Henry, baron Horne of Stirkoke [1861-1929], Stirkoke House, Caithness [Scotland]. (Vicars Bros., London); sold 26 March 1919 to (Thos. Agnew & Sons), London; sold 16 September 1919 to (John Levy Galleries, New York);[1] sold by 1925 to Benjamin F. Jones, Jr. [1868-1928], Sewickley Heights, Pennsylvania;[2] by inheritance to his wife; (sale, Parke-Bernet, New York, 4-5 December 1941, 1st day, no. 34); William R. Coe [1869-1955], Oyster Bay, Long Island, New York; Coe Foundation, New York; gift 1961 to NGA.
[1] Stockbook no. 5363, Thomas Agnew & Sons, Longon.
[2] Listed in the exhibition catalogue for _Paintings by Old Masters from Pittsburgh Collections_, Carnegie Institute, (Pittsburgh, 1925), no. 8, as lent by Mrs. B.F. Jones, Jr.
Accession Number
1961.5.2
Medium
oil on canvas
Dimensions
overall (oval): 78 x 63.1 cm (30 11/16 x 24 13/16 in.) | framed: 95.3 x 83.2 x 10.2 cm (37 1/2 x 32 3/4 x 4 in.)
Classification
Painting
Credit Line
Gift of the Coe Foundation