Probably the artist [1812-1862]; probably by inheritance to his wife, Caroline Hall Audubon [1811-1899], Salem, New York; by inheritance to their daughters, Maria Rebecca Audubon [1843-1925] and Florence Audubon [1853-1949]; Maria and Florence's nephew, Leonard Benjamin Audubon [1888-1951], Sydney, Australia; sold 1950 to E.J.L. Hallstrom [1886-1970], Sydney, Australia; gift 1951 to NGA. [1] Handwritten in ink on one label on the back of the painting is: "Maria and Florence Audubon / from Caroline Audubon." Handwritten in pencil on a second label is: "For Leonard From Aunties." John James Audubon had four children, one of whom was John Woodhouse Audubon [1812-1862]. The younger Audubon married twice; he had two children with his first wife, Maria Bachman [1816-1840], and seven with his second wife, Caroline Hall [1811-1899]. Of the seven, five lived to adulthood; Maria Rebecca [1843-1925] and Florence [1853-1949] were two of the daughters, and William Bakewell Audubon [1847-1932] was one of the sons. William left the United States for Australia in either 1880 or 1882, and he began a new life raising sheep near Yass, a small town about 250 miles west of Sydney. He married Lucy Ann Grovenor in 1885, and they had two children, Leonard Benjamin and Ella Caroline. According to a letter of 9 July 1952 from Ella Caroline Audubon to John Walker (in NGA curatorial files), Audubon paintings were sent to Australia in 1899 or 1900, which would correspond with the death of Caroline Hall Audubon on 1 February 1899. Miss Audubon's letter states that her father arrived in Australia 8 April 1880. However, Walter Audubon gives 21 January 1882 as the date that William Bakewell Audubon sailed for Australia, and he writes also that it was William who "brought with him many paintings by his grandfather, John James Audubon" (see Walter Audubon, _Last of the Audubon Line: The Descendants of John Woodhouse Audubon_, Franklin, North Carolina, 2002: 72-79).