Provenance
Painted for the sitter, the Hon. Sir Francis Nathaniel Pierpont Burton Conyngham [1766-1832], County Clare [Ireland]; by descent to his grandson William Conyngham Vandeleur Burton [1846-1919], Carrigaholt Castle, County Clare;[1] from whose estate it was sold to (Tooth Brothers), London, from whom it was purchased 16 March 1920 by (G.S. Sedgwick) for Thomas B. Clarke [1848-1931], New York, as by Gilbert Stuart;[1] sold by Clarke's executors to (M. Knoedler & Co., New York), from whom it was purchased 29 January 1936, as part of the Clarke collection, by The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift to NGA, 1947.
[1] Clarke's purchase from Tooth is according to 1928 Clarke exhibition catalogue annotated with information from files of M. Knoedler & Co., NY (copy in NGA curatorial records and in NGA library). The painting probably passed through William Burton's father, Henry Stuart Burton [d. 1867], and perhaps also through the latter's eldest son, William's older brother Francis Nathaniel Valentine Burton [d. 1883]. See Burke's Peerage, Limited, _Burke's Peerage and Baronetage_, 105th ed. (London, 1970), 627.
Accession Number
1947.17.102
Medium
oil on canvas
Dimensions
overall: 75.9 x 63.9 cm (29 7/8 x 25 3/16 in.) | framed: 101 x 87.6 x 6.4 cm (39 3/4 x 34 1/2 x 2 1/2 in.)
Classification
Painting
Credit Line
Andrew W. Mellon Collection