Provenance
Perhaps Philip Vandyck Browne [1801-1868], Shrewsbury. Philip Browne, Shrewsbury, as by Gainsborough.[1] (Bellas), France.[2] Howard Sturges [d. 1955], Providence, Rhode Island, as by Gainsborough; bequest 1956 to NGA.
[1] An ink label on the back of the stretcher is inscribed: "No 53 [`3' altered from `2'] by Gainsborough/on paper laid down/on canvas/Lent by/Philip Browne/Shrewsbury." The exhibition cannot be identified, but must have been subsequent to 1898, when the picture was adhered to canvas. Philip Browne may have been a descendant of the artist Philip Vandyck Browne, a prominent citizen of Shrewsbury (information about whom was kindly supplied by Mr. Nigel Gaspas, Keeper, Shrewsbury Museums).
[2] A label from the French shipping company Chenue on the back of the stretcher is inscribed in ink: "Monsieur Bellas/pour Londres." Bellas was presumably a dealer, since the picture was exported as part of a consignment consisting of at least two cases.
Accession Number
1956.9.1
Medium
oil on paper on canvas
Dimensions
overall: 28.5 x 22.8 cm (11 1/4 x 9 in.) | framed: 43.5 x 38.4 x 5.1 cm (17 1/8 x 15 1/8 x 2 in.)
Classification
Painting
Credit Line
Gift of Howard Sturges
Tags
Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas British
Background & Context
Background Story
Thomas Barker (1769-1847) was a British painter known as Barker of Bath, whose genre scenes of rural life were enormously popular in late 18th-century England. Shepherd Boys and Dog Sheltering from a Storm from c. 1789/1790 depicts the subject of rural figures sheltering from a storm in the narrative, atmospheric manner that distinguishes Barker's best genre scenes from the more formal landscape painting of his contemporaries. The c. 1789/1790 date places this in Barker's most productive period, when his genre scenes of rural life were among the most popular paintings in England.
Cultural Impact
Shepherd Boys and Dog Sheltering from a Storm is important in the history of British genre painting because it demonstrates the narrative, atmospheric manner that Barker brought to rural subjects as one of the most popular genre painters of late 18th-century England. Barker's genre scenes of rural life—combining atmospheric effect with narrative detail—represent a popular tradition in British painting that was enormously successful in its time, and the c. 1789/1790 painting shows this popular tradition at its most characteristic.
Why It Matters
Shepherd Boys and Dog Sheltering from a Storm is Barker of Bath's popular rural genre: shepherd boys and a dog rendered in the narrative, atmospheric manner that made him one of the most popular genre painters of late 18th-century England. The c. 1789/1790 painting shows the popular tradition of rural genre painting at its most characteristic.