Artists

Berman, Sarah

Sarah Berman (1895–1957) was a Ukrainian American self-taught Naïve artist and primitive Social Realist whose career began in New York City during the late 1910’s and remained active until her death in 1957. Sarah's works are notable for her primitive human fantasy scenes along with her depictions of social realism and illustrative political commentary. Berman's greatest works are those that showcase the different, naïve social fantasy she was capable of articulating. Although her works are in many museums, Sarah Berman chose to never sell a piece of art. “It is not everyday that an art exhibition starts all the strings humming inside of you. But Sarah Berman’s show… does just that. Fluent, quick, expressive lines transform common place domesticity into something rare and glorious… she paints these people with a reverence and a love that is almost holy…it is a wonderful feeling. She never had an art lesson. She found her sanctuary in her Union Square studio, far from fellow artists. Her art grew into a religion… SO deep set, she forgets she rarely sells a picture. There is bliss within and without" as Elizabeth Sacartoff described in 1941 for The New York Times.

Berman, Saul

Berman, Wallace

Wallace "Wally" Berman (February 18, 1926 – February 18, 1976) was an American experimental filmmaker, assemblage, and collage artist and a crucial figure in postwar California art.

Bermúdez , Henry

Bernadelle Richter

Bernaerts, Balthasar

The English language terminology used in the classification of swords is imprecise and has varied widely over time. There is no historical dictionary for the universal names, classification, or terminology of swords; a sword was simply a single-edged or double-edged knife that grew incrementally longer and more complex with technological advances. Historical terms without a universal consensus of definition (e.g. "arming sword", "broadsword", "long sword", etc.) were used to label weapons of similar appearance but of different historical periods, regional cultures, and fabrication technology. These terms were often described in relation to other unrelated weapons, without regard to their intended use and fighting style. In modern history, many of these terms have been given specific, often arbitrary meanings that are unrelated to any of their historical meanings.

Bernardaud & Co.

Bernard Baron

Bernard Boutet de Monvel

Bernard Buffet

Bernard Buffet

Bernard Chaet