Artists

Bart Parker

Bartsch, Adam von

Johann Adam Bernhard Ritter von Bartsch (17 August 1757 – 21 August 1821) was an Austrian scholar and artist. His catalogue of old master prints, Le Peintre Graveur is the foundation of print history, and he was himself a printmaker practicing engraving and etching. Bartsch was born and died in Vienna. He joined the staff of the Royal Court Library in Vienna in 1777, after studying engraving at the Vienna Kupferstecheracademie, and became head curator of the print collection in 1791. He was also an advisor to Duke Albert of Saxe-Teschen, who founded the collection of the Albertina, Vienna, then as now the world's finest collection of old master prints. In the twentieth century the two collections were merged in the Albertina.

Bartscherer, Joseph

Bartsch, Walter Frederick

Bart van der Leck

Bartz, Eugene

Baruch, Ruth-Marion

Ruth-Marion Baruch (1922 – October 11, 1997), was a German-born American photographer, remembered for her pictures of the San Francisco Bay Area in the 1960s.

Baruj Salinas

Barye, Antoine-Louis

Antoine-Louis Barye (French pronunciation: [ɑ̃twan lwi baʁi]; 24 September 1795 – 25 June 1875) was a Romantic French sculptor most famous for his work as an animalier, a sculptor of animals. His son and student was the sculptor Alfred Barye.

Bary, Hendrick

Barzaghi, Francesco

Basaiti, Marco

Marco Basaiti (c. 1470 – 1530) was a Venetian painter of the Renaissance who worked mainly in Venice and was a contemporary of Giovanni Bellini and Cima da Conegliano. He has been referred to by several names including Marco Baxaiti, Marcus Basitus, and Marcus Baxiti. (Vasari believed that Marco Basarini and Marco Basaiti were two artists, but later information reveals that these two were in fact the same painter.) There is little documentation on Marco Basaiti besides his painting signatures and a guild's ledger of 1530 that records him as a painter of figures. His works are mainly portraits and religious subjects. There is no known painting attributed to Marco Basaiti with a mythological theme. Although trained in the quattrocento style, Basaiti's career began right at the beginning of the cinquecento style which forced him to attempt to adapt his style to stay current.